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Coco Capitán Calls Art ‘Selfish’ in Candid London Interview

Portrait of artist Coco Capitán speaking from her home in Stoke Newington, London, during an interview

Spanish-born artist Coco Capitán told the South China Morning Post she believes “all artists are incredibly selfish,” speaking from her home in Stoke Newington on a typically dreary Friday morning in London. In a frank interview, Capitán described creating art as a tired, self-involved process and reflected on her relationship to the role of artist.

What Happened

In the interview published by the South China Morning Post, Capitán said: “Art is a very self-involved activity. You’re constantly thinking about what you’re going to create next and what you have to say for yourself. It’s tiring.” She added that sometimes her “biggest dream is not to be an artist any more,” but that she did not choose the life — “I just think I couldn’t be anything else.”

Highlights from the Interview

The conversation took an introspective tone as Capitán questioned the demands and inward focus of artistic practice. She spoke candidly about the emotional labour of continually generating new work and maintaining a public creative identity. The interview also touches on other subjects, including mentions of Bad Bunny and her Hong Kong debut show, signalling a mix of cultural touchpoints and the international scope of her career.

Background

Capitán spoke from her home in Stoke Newington, London. The full interview appears in the South China Morning Post and explores both her personal attitudes toward making art and aspects of her public life as an artist, including international exhibitions.

What This Means

Capitán’s frank remarks add to broader conversations about the pressures artists face to continually produce and perform a public persona. For readers in Latin America and Panama, the interview may resonate through its mention of Bad Bunny — a regional cultural reference — and through Capitán’s international reach, underscored by references to a Hong Kong debut. The piece offers insight into how contemporary artists balance personal limits with global exposure.

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